![]() The work also changes forms, and can be smaller in scale (as it is at the University Art Museum), or in enormous scale as it was when it was projected on the sails of the Sydney Opera house. This is the first time the work has been seen in Southern California. The work has been seen internationally, including at the Venice Biennale and at the Luminous Festival in Sydney Australia. Eno’s work simply sets the trajectory for the work to evolve into patterns that have the potential for surprising him as well as the audience.” ![]() “ challenges the notion that the artist must be in control. The following was included on both the wall text and on the exhibition pamphlet: It describes Eno’s career in terms of being a music producer, but says very little about his artistic statement for this show. The only wall text in the whole exhibition is in this entry way. ![]() When you open the doors to the University Art Museum at California State University Long Beach, all you see is red (and also two very large black velvet curtains). The designers of Brian Eno: 77 Million Paintings chose to be very bold. Fire-engine red is always a bold color, an entire entry wall and gallery painted red, is even bolder. ![]()
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